Publications (Selected)

• ‘A Larger Reality’. Commissioned essay in ‘Culture and Crisis’ – Cultural Connections, Vol.

• VI, 2021, pp 112-120. Published by Culture Academy, MCCY, Singapore.

• ‘Sotto Voce: What if we haven’t yet asked the right questions?’ Commissioned essay in

• di’van, A Journal of Accounts, Art|Culture|Theory, December 2019, pp 34-45. Published by

• University of NSW Art & Design, Sydney, Australia.

•  ‘You, Other; I, Another: A Meditation on Otherness & Belonging; The Works of Art:

• Living Realities & Shaping Perceptions’. 2-part essay for the exhibition You, Other; I,

• Another. The Private Museum, Singapore, 17 May-22 July 2018. Curator and editor.

•  T.K. Sabapathy, Writing the Modern: Selected Texts on Art & Art History in Singapore, Malaysia &

• Southeast Asia, 1973-2015. Edited, with section overviews, by Ahmad Mashadi, Susie

• Lingham, Peter Schoppert and Joyce Toh, Singapore: Singapore Art Museum, January 2018.

•  ‘Our Fractal Realities’. Essay in An Atlas of Mirrors, Singapore Biennale 2016 catalogue,

• ed. Susie Lingham, published by Singapore Art Museum, 2016, pp 14-17.

•  ‘Our Geographies Map Our Histories: A Response to ‘Asian Art Research in Australia

• and New Zealand: Past Present, Future’. Essay in the Australian and New Zealand Journal of

• Art, Volume 16, 2016, Issue 2, pp 236-246. Published by Taylor & Francis online 10

• November 2016 in http://www.tandfonline.com/toc/raja20/16/2.

•  ‘The Crisis of Context: What holds heterogeneities together’. Essay republished in

• Histories, Practices, Interventions: A Reader in Singapore Contemporary Art, eds. Jeffrey Say & Seng

• Yu Jin, pp 105-117. Institute of Contemporary Art, LASALLE College of the Arts,

• Singapore, 2016. First published in Text & Subtext. Singapore: Earl Lu Gallery, June 2000,

• pp 164-75.

•  ‘Turning the Curious Corners of Thought: The Synaesthetic Mind & Ways of

• Knowing in the Arts’. Chapter in Contextualized Practices in Arts Education: An International

• Dialogue on Singapore, ed. Chee-Hoo Lum, Springer Education Innovation Book Series, 2013,

• pp 393-433. https://link.springer.com/chapter/10.1007/978-981-4560-55-9_38

•  ‘A Quota on Expression: Visions, Vexations & Vanishings (Contemporary Art in

• Singapore from the Late 1980s to the Present)’. Essay in Negotiating Home, History and

• Dr Susie Lingham ~ Curriculum Vitae

• 3

• Nation: Two Decades of Contemporary Art in Southeast Asia 1991-2011, Singapore Art Museum,

• 2011, pp 55-70.

•  ‘Art and Censorship in Singapore: Catch 22?’ Feature article in Art Asia Pacific, Issue 76

• Nov/Dec 2011, pp 100-109.

•  ‘Mediated Thresholds: Between Ideal, Image and Experience’. Essay in Open House,

• Singapore Biennale 2011 catalogue, Singapore Art Museum, 2011, pp 129-136.

•  ‘The Surface from the Depths: Of Haptic Optics and the Fluid Dynamics of

• Drawing’. Essay in Aversions, a publication on drawings by Singaporean artists, pp 140-148.

• Osage, Singapore, 2009.

•  ‘Navel: The Mark of a Vampire’. Essay in FOCAS (Forum on Contemporary Art & Society),

• No. 2. Singapore: The Necessary Stage, July 2001, pp 49–83.

• Conferences & Presentations (Selected)

•  International Forum: Exploration of the Turning Point & Revolutionary Development of

• ‘Anima Machine’. On the works of Korean artist Choe U-Ram’s solo exhibition [stil laif] at

• the National Taiwan Museum of Fine Arts, Taichung, Taiwan. Invited as panelist

• speaker/discussant. 4 June 2017.

•  2017 NTUA Curators of the New Generation Open Call Programme. National Taiwan

• University of Arts & Yo-Chang Art Museum, Taipei, Taiwan. Invited to be on the jurors’

• panel, and to present at the conference ‘2017 New Curatorial Forum of Taiwan Art’.

• 22~23 Feb 2017.

•  Experimenter Curators’ Hub. Kolkata, India. Invited to be on the forum as participating

• curator. 28~30 Jul 2016.

•  S.T. Lee Annual Lecture on Asian Art and Archaeology, the University of Sydney, Australia.

• Keynote speaker. 14 Oct 2015.

•  Asian Art Research in Australia and New Zealand: Past, Present, Future. Symposium

• presented by the Power Institute and Department of Art History, The University of Sydney.

• Invited as respondent, and chaired one panel. 15~16 Oct 2015.

•  Of Mind and Measure: Heaven, Hell and Hologram. Lecture at the ArtScience Museum

• symposium ‘Visualizing the Universe’, Singapore. 6 Sep 2014.

•  Art & Ideas: series of five public lectures, Art Appreciation Lecture Series, Singapore Art

• Museum. 14 Feb ~ 13 Mar 2012.

•  Connect, Continue, Create: The 3 rd International Deleuze Studies Conference,

• Amsterdam. 12~14 Jul 2010. Title of presented paper: Between Spider & Fly, Prehension &

• Becoming.

• Art Practice (Selected)

•  Thought Sample Return.

• Solo visual art exhibition, presented by Gajah Gallery, Singapore. Conceptual sculpture,

• including core samples of 33 volumes of 1990 Encyclopaedia Britannica; painting-drawings;

• poem-riddles on glass Klein bottles. 28 July ~28 August 2022.

•  https://pluralartmag.com/2022/08/14/thought-sample-return-susie-linghams-

• expeditions-into-inner-space/

•  https://artreview.com/a-guide-to-arts-and-culture-this-august/

•  5 th Passage: In Search of Lost Time. Artworks presented in group show, September 2021,

• curated by John Tung. Presented by Gajah Gallery, Singapore.

•  Turn.

• Solo visual art exhibition, presented by The Substation, Singapore. Drawing installations;

• text; poem-riddles on glass Klein bottles and limited edition (55) artist’s two-in-one book: An

• Unkempt Metaphysical Alphabet & A Pseudorandom Pataphysical Alphabet. 16 Nov ~ 1 Dec 2012.

•  http://www.todayonline.com/blogs/forartssake/susie-linghams-turn-and-delicate-act-

• looking-inward

•  Detour. Visual Art Faculty Show, National Institute of Education, Nanyang Technological

• University, Singapore. Curator, conceptualized theme, and participating artist. Oct 2012.